Johanna Diehl, Das imaginäre Studio XIV (Hermann Scherchens rotierender Nullstrahler, Studio für Elektroakustische Musik, Akademie der Künste, Berlin), gelatin silver print, 2017, 61 × 49 cm
Alberto de Campo
Alberto de Campo is a musician and composer doing experimental art with electronic and computational means. He likes playing solo and in ensembles like Trio Brachiale, powerbooks_unplugged, and others, at times with code as interface, at times with a mix of self-written software, diverse interfaces and analog devices. He is also a professor for generative/computational art at Berlin University of the Arts, and enjoys creating complex cybernetics-inspired installation pieces, often with many participants.